
Moses zerschlägt die Gesetzestafeln – Selig, die hungern und dürsten nach der Gerechtigkeit
A hand-painted replica of Eduard von Steinle’s masterpiece Moses zerschlägt die Gesetzestafeln – Selig, die hungern und dürsten nach der Gerechtigkeit, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Eduard von Steinle was a prominent 19th-century German painter, known for his contributions to the Nazarene movement, which sought to revive the spirituality and style of early Renaissance art. One of his notable works is "Moses zerschlägt die Gesetzestafeln – Selig, die hungern und dürsten nach der Gerechtigkeit" (Moses Smashes the Tablets of the Law – Blessed are those who hunger and thirst for righteousness).
This painting, created in 1848, is a significant example of Steinle's religious and historical themes. The artwork depicts the biblical scene from the Book of Exodus where Moses, upon descending from Mount Sinai and witnessing the Israelites worshipping the Golden Calf, smashes the tablets inscribed with the Ten Commandments in a moment of righteous indignation. This dramatic episode underscores the gravity of idolatry and the importance of divine law.
Steinle's painting is characterized by its detailed and expressive portrayal of the figures involved. Moses is shown in a dynamic pose, his face a mixture of anger and sorrow, capturing the intensity of the moment. The Israelites, in contrast, are depicted in various states of shock, fear, and repentance, emphasizing the moral and spiritual crisis at hand.
The second part of the title, "Selig, die hungern und dürsten nach der Gerechtigkeit" (Blessed are those who hunger and thirst for righteousness), is a reference to the Beatitudes from the Sermon on the Mount in the New Testament. This juxtaposition of Old and New Testament themes reflects Steinle's deep engagement with biblical narratives and his ability to convey complex theological ideas through his art.
Steinle's work is notable for its meticulous attention to detail and its use of vibrant colors, which enhance the emotional impact of the scene. The composition is carefully balanced, with Moses centrally positioned to draw the viewer's focus, while the surrounding figures and landscape elements create a sense of depth and movement.
Eduard von Steinle was a key figure in the Nazarene movement, which was founded in the early 19th century by a group of German and Austrian artists who sought to return to the purity and spirituality of medieval and early Renaissance art. The Nazarenes were known for their religious fervor and their commitment to depicting biblical and historical subjects with sincerity and devotion. Steinle's work is a testament to these ideals, combining technical skill with a profound sense of spiritual purpose.
"Moses zerschlägt die Gesetzestafeln – Selig, die hungern und dürsten nach der Gerechtigkeit" is housed in the Städel Museum in Frankfurt, Germany, where it continues to be admired for its artistic and historical significance. The painting remains an important example of 19th-century religious art and a reflection of Steinle's enduring legacy as a master of the Nazarene style.