Collier’s, Sporting Number, Volume XXVIII
A hand-painted replica of Edward Penfield’s masterpiece Collier’s, Sporting Number, Volume XXVIII, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
"Collier’s, Sporting Number, Volume XXVIII" is a notable illustration created by Edward Penfield, an influential American illustrator and poster artist. Penfield is often regarded as one of the pioneers of American graphic design, particularly known for his work during the late 19th and early 20th centuries. His contributions to the field of illustration were significant, and he played a key role in shaping the visual language of American magazines during this period.
Edward Penfield was born on June 2, 1866, in Brooklyn, New York. He studied at the Art Students League of New York, where he was influenced by prominent artists such as George de Forest Brush and Kenyon Cox. Penfield's career took off when he began working for Harper's Magazine in the 1890s, where he eventually became the art director. His work for Harper's is particularly celebrated for its distinctive style, characterized by bold outlines, flat colors, and a keen sense of composition.
"Collier’s, Sporting Number, Volume XXVIII" is one of Penfield's many contributions to Collier's Weekly, a popular American magazine that was published from 1888 to 1957. Collier's was known for its investigative journalism, fiction, and illustrations, and it played a significant role in American media during its time. Penfield's association with Collier's began in the early 1900s, and he produced numerous covers and illustrations for the magazine.
The illustration in question, "Collier’s, Sporting Number, Volume XXVIII," is a prime example of Penfield's work. It features a dynamic and engaging scene that captures the spirit of American sports and leisure activities of the era. Penfield's use of vibrant colors and strong lines creates a sense of movement and excitement, drawing the viewer's attention and conveying the energy of the sporting events depicted.
Penfield's illustrations often reflected contemporary American life and culture, and his work for Collier's was no exception. The "Sporting Number" issues of Collier's were particularly popular, as they catered to the growing interest in sports and outdoor activities among the American public. Penfield's ability to capture the essence of these activities in his illustrations contributed to the magazine's appeal and success.
Throughout his career, Edward Penfield continued to produce illustrations for various publications, advertisements, and posters. His work is characterized by its clarity, simplicity, and effectiveness in communication. Penfield's influence on American illustration and graphic design is still recognized today, and his contributions to magazines like Collier's remain an important part of his legacy.
In summary, "Collier’s, Sporting Number, Volume XXVIII" by Edward Penfield is a significant piece of American illustration history. It exemplifies Penfield's skill and style, as well as his ability to capture the cultural zeitgeist of his time. His work for Collier's Weekly, including this particular illustration, played a crucial role in shaping the visual identity of American magazines in the early 20th century.
