July August September 1897 calendar
A hand-painted replica of Edward Penfield’s masterpiece July August September 1897 calendar, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
The "July August September 1897" calendar by Edward Penfield is a notable example of American poster art from the late 19th century. Edward Penfield (1866-1925) was a prominent illustrator and a key figure in the development of American graphic design. He is often referred to as the father of the American poster due to his significant contributions to the medium.
Penfield's work for the "July August September 1897" calendar was created during a period when he was the art director for Harper's Magazine, a leading publication of the time. His role at Harper's allowed him to influence the visual style of the magazine and to create promotional posters that were both artistic and functional.
The "July August September 1897" calendar is a classic example of Penfield's style, which is characterized by its bold use of color, simplified forms, and strong, clear lines. This particular piece features a woman in a summer dress, holding a parasol, with a serene outdoor scene in the background. The image captures the leisurely and genteel lifestyle that was often idealized in Penfield's work. The calendar itself is integrated into the design, with the months of July, August, and September prominently displayed.
Penfield's posters were influential in the popularization of the Art Nouveau style in America. His work often featured elegant, fashionable figures and incorporated elements of Japanese woodblock prints, which were highly influential in the Art Nouveau movement. The "July August September 1897" calendar exemplifies these characteristics, with its graceful lines and harmonious composition.
The significance of Penfield's work lies not only in its aesthetic qualities but also in its role in the evolution of advertising and graphic design. His posters were among the first to be widely distributed and collected, helping to elevate the status of commercial art to that of fine art. Penfield's ability to blend artistic expression with commercial appeal set a standard for future generations of graphic designers.
In summary, the "July August September 1897" calendar by Edward Penfield is a distinguished piece of American poster art that reflects the stylistic and cultural trends of its time. It showcases Penfield's talent for creating visually striking and effective promotional material, and it holds an important place in the history of graphic design.
