
Study for figure of 4 pm in ‘The Hours’ ceiling at the state capitol building in Harrisburg, Pennsylvania
A hand-painted replica of Edwin Austin Abbey’s masterpiece Study for figure of 4 pm in ‘The Hours’ ceiling at the state capitol building in Harrisburg, Pennsylvania, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Edwin Austin Abbey, an American muralist and illustrator, is renowned for his significant contributions to public art in the United States during the late 19th and early 20th centuries. One of his notable works is the series of murals titled "The Hours" located in the Pennsylvania State Capitol in Harrisburg. Among these, the "Study for Figure of 4 PM" is a preparatory work that showcases Abbey's meticulous approach to mural painting.
Abbey was commissioned to create murals for the Pennsylvania State Capitol in the early 1900s, a project that was part of a broader effort to adorn the building with artworks that reflected the cultural and historical values of the state. The Capitol itself, designed by architect Joseph Miller Huston, is an architectural masterpiece that combines elements of the Renaissance and American Beaux-Arts styles. Abbey's murals were intended to complement this grandeur and provide an artistic narrative that aligned with the building's civic purpose.
"The Hours" is a series of murals that depict various times of the day, each represented by allegorical figures. These figures are designed to embody the activities and moods associated with different hours, creating a visual representation of the passage of time and its impact on human life. The "Study for Figure of 4 PM" is one of these preparatory sketches, which Abbey used to plan the composition, color scheme, and details of the final mural.
Abbey's process involved extensive research and numerous studies to ensure that each figure was both artistically compelling and thematically appropriate. His studies often included detailed sketches and color trials, which allowed him to experiment with different artistic elements before committing them to the final mural. This meticulous preparation is evident in the "Study for Figure of 4 PM," where Abbey's attention to detail and mastery of form are clearly displayed.
The figure representing 4 PM in "The Hours" is characterized by a sense of transition, capturing the shift from the busyness of the day towards the calm of the evening. Abbey's use of light and shadow, as well as his choice of colors, reflects this transition, creating a mood that is both contemplative and serene. The study reveals Abbey's skill in using allegory to convey complex ideas through visual art.
Abbey's work on the Pennsylvania State Capitol murals, including "The Hours," is considered a significant achievement in American mural painting. His ability to blend historical themes with artistic innovation has left a lasting legacy in the field of public art. The "Study for Figure of 4 PM" not only highlights Abbey's artistic process but also serves as a testament to his dedication to creating works that resonate with both their immediate environment and broader cultural narratives.
In summary, Edwin Austin Abbey's "Study for Figure of 4 PM" is an integral part of his mural series "The Hours" in the Pennsylvania State Capitol. It exemplifies his careful planning and artistic vision, contributing to the rich tapestry of American public art in the early 20th century.