N° 44 – On élève la croix en jurant, en frappant

A hand-painted replica of Emile Bernard’s masterpiece N° 44 – On élève la croix en jurant, en frappant, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.

Émile Bernard's painting "N° 44 – On élève la croix en jurant, en frappant" is a notable work by the French Post-Impressionist artist, who was an influential figure in the development of modern art during the late 19th and early 20th centuries. Bernard was known for his role in the Symbolist movement and his close associations with other prominent artists of the time, such as Paul Gauguin and Vincent van Gogh.

Émile Bernard was born in Lille, France, in 1868 and later moved to Paris, where he studied at the École des Beaux-Arts. He became a key figure in the Pont-Aven School, a group of artists who gathered in Brittany and sought to break away from the traditional approaches of Impressionism. Bernard's style evolved through his interactions with Gauguin, leading to the development of Synthetism, which emphasized flat areas of color and bold outlines, a departure from the more naturalistic depictions of Impressionism.

The painting "N° 44 – On élève la croix en jurant, en frappant" reflects Bernard's interest in religious and mystical themes, which were prevalent in his work during this period. The title, which translates to "Raising the Cross with Swearing, with Striking," suggests a scene of intense emotion and possibly a narrative drawn from religious or historical contexts. Bernard often infused his works with symbolic meaning, using religious iconography to explore themes of spirituality, suffering, and redemption.

While specific details about the painting's composition and the exact scene depicted are not widely documented, it is consistent with Bernard's broader oeuvre, which frequently incorporated religious motifs and explored the human condition through allegorical means. His works often featured a combination of vivid colors and simplified forms, which were intended to convey deeper symbolic meanings rather than mere representational accuracy.

Bernard's contributions to the art world extended beyond his paintings; he was also a prolific writer and theorist. He corresponded extensively with other artists and critics, sharing his ideas on art and aesthetics. His writings and exchanges with contemporaries like Gauguin and van Gogh provide valuable insights into the artistic movements of the time and the evolution of modern art.

Throughout his career, Bernard's work was exhibited in various salons and galleries, gaining recognition for its innovative approach and distinctive style. Despite facing some criticism for his divergence from traditional techniques, Bernard's influence on the Post-Impressionist movement and subsequent art developments is well acknowledged.

In summary, "N° 44 – On élève la croix en jurant, en frappant" exemplifies Émile Bernard's exploration of religious themes and his contribution to the Symbolist and Post-Impressionist movements. His innovative use of color and form, combined with his interest in spiritual and allegorical subjects, marks his work as a significant part of the transition from 19th-century art to the modernist expressions of the 20th century.