Frederic 5th Earl of Guilford

A hand-painted replica of Jean Auguste Dominique Ingres’s masterpiece Frederic 5th Earl of Guilford, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.

Frederic 5th Earl of Guilford by Jean Auguste Dominique Ingres is a portrait painted by the renowned French Neoclassical artist Jean Auguste Dominique Ingres. The painting depicts Frederick North, the 5th Earl of Guilford (1766–1827), a British nobleman and philhellene known for his contributions to the promotion of Greek culture and education during the late 18th and early 19th centuries.

The exact date of the painting is not definitively documented, but it is believed to have been created during Ingres' early career, likely in the first quarter of the 19th century. Ingres, who was known for his meticulous attention to detail and his ability to capture the character of his sitters, portrays the Earl in a dignified and contemplative manner. The portrait reflects Ingres' mastery of line and form, hallmarks of his Neoclassical style.

Frederick North, the subject of the painting, was the son of Frederick North, 2nd Earl of Guilford, who served as the British Prime Minister from 1770 to 1782. The younger North is best remembered for his deep interest in Greek culture and his efforts to support the revival of Greek education. He founded the Ionian Academy in Corfu, the first modern Greek university, and worked to preserve and promote Greek heritage during a period of Ottoman rule over much of Greece.

The painting itself is notable for its restrained elegance and the subtle interplay of light and shadow, which emphasize the Earl's refined features and intellectual demeanor. Ingres' skillful use of texture and color further enhances the sense of realism and depth in the portrait. The work exemplifies Ingres' ability to combine classical ideals with a keen observation of individual personality.

The current location of the painting is not widely documented, and it is unclear whether it resides in a public collection, private ownership, or has been lost to history. As with many of Ingres' portraits, the work is celebrated for its technical precision and its ability to convey the essence of the sitter.

This portrait is a testament to Ingres' reputation as one of the leading portraitists of his time and serves as a historical record of an important figure in the cultural and educational history of Greece and Britain.