Un Nu Sur La Pelouse
A hand-painted replica of Julius Leblanc Stewart’s masterpiece Un Nu Sur La Pelouse, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Julius LeBlanc Stewart (1855–1919) was an American artist known for his detailed and elegant depictions of high society life during the late 19th and early 20th centuries. One of his works, Un Nu Sur La Pelouse (translated as A Nude on the Lawn), exemplifies his skill in portraying the human figure and his interest in themes of leisure and beauty.
The painting features a nude female figure reclining on a grassy lawn, surrounded by a serene outdoor setting. Stewart’s attention to detail is evident in the naturalistic rendering of the figure’s form and the lush environment. The work reflects the influence of both academic traditions and the Impressionist movement, which was prominent during Stewart’s time in Paris. His use of light and shadow enhances the realism of the scene, while the relaxed pose of the subject conveys a sense of intimacy and tranquility.
Stewart was born in Philadelphia but spent much of his life in Paris, where he became associated with the city’s vibrant art scene. He studied under prominent artists such as Jean-Léon Gérôme and Charles Gleyre, both of whom were key figures in the academic art tradition. Stewart’s works often depicted the opulence and elegance of Parisian society, and he became known as “the American painter of Parisian life.”
Un Nu Sur La Pelouse is consistent with Stewart’s broader body of work, which frequently explored themes of leisure, luxury, and the human form. While the exact date of the painting’s creation is not widely documented, it likely falls within the period of his artistic maturity, when he was producing works that celebrated the beauty and sophistication of his subjects.
The painting’s current location and ownership are not well-documented in public records, and it is unclear whether it resides in a private collection or a museum. Like many of Stewart’s works, Un Nu Sur La Pelouse demonstrates his technical mastery and his ability to capture the elegance of his era.
No further specific historical or contextual information about this painting is available.
