
Reclining Female Nude – Study for ‘Joseph and Potiphar’s Wife’
A hand-painted replica of Lovis Corinth’s masterpiece Reclining Female Nude – Study for ‘Joseph and Potiphar’s Wife’, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Lovis Corinth's Reclining Female Nude – Study for ‘Joseph and Potiphar’s Wife’ is a preparatory work created by the German painter and printmaker Lovis Corinth (1858–1925). Corinth was a prominent figure in the transition from Impressionism to Expressionism in German art, and his works often explored themes of mythology, religion, and human emotion. This particular study is connected to his larger composition Joseph and Potiphar’s Wife, a biblical subject that has been depicted by numerous artists throughout history.
The painting depicts a reclining female nude, rendered with Corinth's characteristic loose brushwork and attention to the physicality of the human form. The study likely served as a preparatory exploration of the figure of Potiphar’s wife, a central character in the biblical story from the Book of Genesis. In the narrative, Potiphar’s wife attempts to seduce Joseph, a servant in her household, and later falsely accuses him of assault when he resists her advances. Corinth’s study focuses on the sensuality and vulnerability of the female form, reflecting his interest in the emotional and psychological dimensions of his subjects.
As a study, this work was not intended as a finished piece but rather as part of Corinth’s process in developing the final composition. It demonstrates his skill in capturing the human body and his ability to convey texture, light, and shadow with expressive brushstrokes. The reclining pose of the figure suggests a moment of rest or contemplation, which may contrast with the tension and drama of the final painting.
Lovis Corinth’s career was marked by a deep engagement with both traditional and modernist approaches to art. Early in his career, he was associated with the Munich Secession, and later he became a leading member of the Berlin Secession. His works often combined classical themes with a modern sensibility, and he was known for his portraits, landscapes, and still lifes, as well as his depictions of historical and biblical subjects.
The exact date of creation for Reclining Female Nude – Study for ‘Joseph and Potiphar’s Wife’ is not widely documented, but it is consistent with Corinth’s mature style, which developed in the early 20th century. The study reflects his interest in the human form and his ability to imbue his subjects with a sense of life and immediacy.
Further details about the current location or provenance of this specific study are not readily available. However, Corinth’s works are held in numerous public and private collections worldwide, including major museums in Germany and beyond.