Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin–Military in Nature
A hand-painted replica of Marsden Hartley’s masterpiece Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin–Military in Nature, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Marsden Hartley's painting Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin–Military in Nature is a work created in 1914 during the artist's time in Berlin, Germany. Hartley, an American modernist painter, was deeply influenced by the European avant-garde movements of the early 20th century, including Cubism, Expressionism, and Symbolism. This particular painting is part of a series known as the "War Motif" or "German Officer" series, which Hartley produced during the outbreak of World War I.
The painting reflects Hartley's fascination with military imagery and symbolism, as well as his personal experiences and observations in Berlin at the time. It incorporates abstract forms, bold colors, and a collage-like arrangement of symbols, numbers, and letters. These elements are believed to represent military insignia, banners, and other visual motifs associated with the German army. The composition is non-representational, emphasizing abstraction and the emotional resonance of the imagery rather than depicting a specific scene or narrative.
Hartley's time in Berlin coincided with the beginning of World War I, and his work from this period is often interpreted as a response to the militaristic atmosphere and the cultural environment of Germany during the war. While Hartley was an American, his art from this time reflects a deep engagement with German culture and aesthetics, as well as his personal relationships and experiences in Berlin.
This painting, like others in the series, is notable for its use of vibrant colors, dynamic forms, and symbolic content. It demonstrates Hartley's ability to synthesize various artistic influences into a unique and personal visual language. The work is considered an important example of early 20th-century modernist art and a reflection of the complex cultural and historical context of its creation.
Hartley's "War Motif" series, including this painting, has been the subject of significant scholarly attention and is regarded as a key contribution to modern art. The series is also notable for its exploration of themes such as identity, nationalism, and the impact of war on society and culture. Today, Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin–Military in Nature is recognized as a significant work in Hartley's oeuvre and a compelling example of modernist abstraction.
