Examples of Chinese ornament, Pl.85

A hand-painted replica of Owen Jones’s masterpiece Examples of Chinese ornament, Pl.85, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.

"Examples of Chinese Ornament, Pl.85" is a design plate created by Owen Jones, a prominent British architect and designer of the 19th century. This plate is part of his influential work The Grammar of Ornament, first published in 1856. The book is a comprehensive collection of decorative designs and patterns from various cultures around the world, intended to serve as a reference and inspiration for artists, architects, and designers.

Owen Jones was a key figure in the development of design theory during the Victorian era. He sought to document and celebrate the diversity of ornamental traditions, emphasizing the importance of studying historical and cultural designs to inform contemporary artistic practices. The Grammar of Ornament includes 100 chromolithographic plates, each showcasing patterns and motifs from different regions and periods, such as Egyptian, Greek, Persian, Indian, and Chinese art.

Plate 85 specifically focuses on Chinese ornamentation, presenting a selection of decorative motifs and patterns characteristic of traditional Chinese art. The designs reflect the intricate and harmonious aesthetic principles that are central to Chinese decorative arts, including the use of symmetry, balance, and stylized natural forms. Common elements in Chinese ornamentation, such as floral motifs, geometric patterns, and symbolic imagery, are prominently featured in this plate.

The designs in Plate 85 were likely derived from historical Chinese artifacts, textiles, ceramics, and architectural elements that were accessible to Jones during his research. His work demonstrates a deep appreciation for the sophistication and artistry of Chinese design, highlighting its influence on global decorative traditions.

Jones's use of chromolithography allowed for the accurate reproduction of vibrant colors and intricate details, making The Grammar of Ornament a groundbreaking publication in the field of design. The book not only served as a practical resource for artists and designers but also contributed to the broader understanding and appreciation of non-Western art forms in 19th-century Europe.

Today, The Grammar of Ornament and its plates, including Plate 85, remain significant for their historical and artistic value. They provide insight into how 19th-century designers engaged with and interpreted the artistic traditions of other cultures, while also serving as a testament to the enduring appeal of Chinese ornamentation in the global history of design.