Self-portrait with portrait of Bernard, ‘Les Misérables’

A hand-painted replica of Paul Gauguin’s masterpiece Self-portrait with portrait of Bernard, ‘Les Misérables’, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.

Paul Gauguin's painting Self-portrait with Portrait of Bernard, ‘Les Misérables’ is a notable work created in 1888. This self-portrait is significant for its dual representation, as it not only depicts Gauguin himself but also includes a portrait of his friend and fellow artist Émile Bernard. The painting is often regarded as an exploration of identity and artistic camaraderie during a pivotal period in Gauguin's career.

The work was painted during a time when Gauguin and Bernard were part of the Pont-Aven School, a group of artists in Brittany, France, who sought to move beyond Impressionism and develop new approaches to art. Gauguin and Bernard shared a close friendship and influenced each other's artistic styles, particularly in their use of bold colors and simplified forms, which would later be associated with the Symbolist movement.

In this painting, Gauguin portrays himself in the foreground, with a serious and introspective expression. Behind him, on the wall, is a framed portrait of Émile Bernard. The inclusion of Bernard's portrait within the composition is a testament to their artistic collaboration and mutual respect. The title of the painting, referencing Victor Hugo's novel Les Misérables, suggests a connection to themes of struggle and resilience, possibly reflecting Gauguin's own challenges as an artist striving for recognition and financial stability.

The painting is also notable for its stylistic elements. Gauguin employs a flat, decorative approach to color and form, moving away from the naturalistic techniques of earlier movements. This stylistic choice aligns with the Symbolist emphasis on emotional and spiritual expression rather than direct representation of the physical world.

Today, Self-portrait with Portrait of Bernard, ‘Les Misérables’ is recognized as an important example of Gauguin's early Symbolist work and his exploration of self-identity through art. It provides insight into his relationship with Bernard and the broader artistic developments of the late 19th century. The painting is housed in the Van Gogh Museum in Amsterdam, where it continues to be studied and appreciated for its historical and artistic significance.