
The Song of Solomon – ‘The Watchman that went about the City’
A hand-painted replica of Sir Edward Coley Burne-Jones’s masterpiece The Song of Solomon – ‘The Watchman that went about the City’, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Sir Edward Coley Burne-Jones (1833–1898) was a prominent British artist and designer associated with the Pre-Raphaelite Brotherhood and the later Arts and Crafts Movement. His works often drew inspiration from mythology, literature, and biblical themes, characterized by their dreamlike quality, intricate detail, and symbolic depth.
"The Song of Solomon – ‘The Watchman that went about the City’" is one of Burne-Jones's paintings inspired by the biblical text of the Song of Solomon, also known as the Song of Songs. This book of the Old Testament is a poetic dialogue that has been interpreted both as an allegory of divine love and as a celebration of human love. The specific passage referenced in this painting is from Chapter 3, verses 2–3, where the female speaker describes her search for her beloved in the city at night. She encounters the watchmen who patrol the city, asking them if they have seen the one she loves.
Burne-Jones’s interpretation of this scene reflects his characteristic style, blending spiritual and romantic elements. The painting depicts a solitary female figure, likely the speaker from the biblical text, in a moment of introspection or yearning. The watchman, a figure of authority and vigilance, is also present, embodying the tension between the seeker’s vulnerability and the external world’s indifference or guidance. The composition and mood of the painting emphasize themes of longing, spiritual searching, and the interplay between the human and the divine.
Burne-Jones was known for his meticulous attention to detail and his use of muted, harmonious colors, which are evident in this work. The figures are rendered with a sense of grace and otherworldliness, typical of his artistic approach. The painting also reflects the influence of medieval art and Renaissance aesthetics, which were central to Burne-Jones’s oeuvre.
This work is part of a larger tradition of Victorian artists drawing upon biblical and literary sources to explore universal themes. Burne-Jones’s engagement with the Song of Solomon aligns with his broader interest in creating art that transcends the material world, inviting viewers into a realm of beauty, mystery, and spiritual reflection.
As with many of Burne-Jones’s works, "The Watchman that went about the City" demonstrates his ability to convey complex emotions and narratives through visual art. The painting remains a testament to his skill as a storyteller and his dedication to exploring the profound connections between love, faith, and the human experience.