Received back into Moon Palace
A hand-painted replica of Tsukioka Yoshitoshi’s masterpiece Received back into Moon Palace, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
"Received back into Moon Palace" is a woodblock print created by the renowned Japanese artist Tsukioka Yoshitoshi (1839–1892), one of the last great masters of the ukiyo-e tradition. This artwork is part of Yoshitoshi's celebrated series "One Hundred Aspects of the Moon" (Tsuki hyakushi), which was published between 1885 and 1892. The series consists of 100 individual prints, each inspired by historical, literary, or folkloric themes, all connected to the motif of the moon.
The print depicts a scene from Chinese mythology, specifically the story of Chang'e, the moon goddess. According to the legend, Chang'e ascended to the moon after consuming an elixir of immortality. In Yoshitoshi's interpretation, the artwork captures the moment when Chang'e is welcomed back into the Moon Palace, a celestial abode associated with her divine presence. The composition reflects Yoshitoshi's skill in blending traditional Japanese woodblock techniques with innovative artistic elements, such as dynamic use of color and intricate detailing.
Yoshitoshi's "One Hundred Aspects of the Moon" series is widely regarded as a masterpiece of late ukiyo-e art. It demonstrates his ability to convey emotion and narrative depth while maintaining a strong connection to classical Japanese and Chinese cultural themes. The series also reflects Yoshitoshi's interest in exploring the interplay between human experiences and the natural world, with the moon serving as a unifying symbol throughout the collection.
"Received back into Moon Palace" exemplifies Yoshitoshi's mature style, characterized by a refined aesthetic and a deep understanding of storytelling through visual art. The print is notable for its delicate rendering of Chang'e's figure, the ethereal atmosphere of the Moon Palace, and the harmonious integration of mythological elements with Yoshitoshi's artistic vision.
This artwork, like others in the series, was produced during a period of significant cultural and social change in Japan, as the country transitioned from the Edo period to the Meiji era. Despite the decline of the ukiyo-e tradition during this time, Yoshitoshi's work achieved critical acclaim and remains highly regarded by art historians and collectors today.
