Uesugi Kenshin Nyūdō Terutora Riding into Battle
A hand-painted replica of Tsukioka Yoshitoshi’s masterpiece Uesugi Kenshin Nyūdō Terutora Riding into Battle, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
"Uesugi Kenshin Nyūdō Terutora Riding into Battle" is a woodblock print created by the renowned Japanese artist Tsukioka Yoshitoshi (1839–1892). Yoshitoshi is widely regarded as one of the last great masters of the ukiyo-e tradition, a genre of Japanese art that flourished from the 17th to the 19th centuries. This particular work is part of Yoshitoshi's celebrated series "New Forms of Thirty-Six Ghosts" (新形三十六怪撰, Shinkei Sanjūroku Kaisen), which was published between 1889 and 1892. The series is known for its dramatic and imaginative depictions of supernatural themes, historical figures, and legendary tales.
The print portrays Uesugi Kenshin (1530–1578), a prominent daimyō (feudal lord) of the Sengoku period in Japan. Kenshin was the ruler of Echigo Province and is remembered as one of the most skilled military commanders of his time. He was also known for his adherence to the principles of honor and his devotion to Bishamonten, the Buddhist god of war. Kenshin's military campaigns and rivalry with Takeda Shingen, another famous daimyō, are legendary in Japanese history.
In this artwork, Yoshitoshi depicts Kenshin in a dynamic and heroic pose, riding into battle. The composition emphasizes movement and energy, with Kenshin's figure dominating the scene. He is shown wearing traditional samurai armor, and his expression conveys determination and strength. The background features dramatic elements, such as swirling clouds or mist, which add to the sense of action and intensity. Yoshitoshi's use of bold lines and vivid colors enhances the visual impact of the piece, showcasing his mastery of the woodblock printing technique.
The historical context of the print is significant, as it reflects the late Edo and early Meiji periods' fascination with historical and legendary figures. During this time, there was a resurgence of interest in Japan's feudal past, partly as a response to the rapid modernization and Westernization of the country. Yoshitoshi's works often bridged the gap between traditional Japanese art and the changing cultural landscape of the Meiji era.
"Uesugi Kenshin Nyūdō Terutora Riding into Battle" is a testament to Yoshitoshi's artistic skill and his ability to bring historical figures to life through his imaginative interpretations. The print remains an important example of late ukiyo-e art and continues to be appreciated for its historical and artistic significance.
